[Commlist] New Issue Participations 21.1 published

We are pleased to announce the publication of Participations 21.1 
[https://www.participations.org/].

The Table of Contents is below.

Participations invites submissions from any discipline that engages with 
audience research or receptions studies. Please email any submissions to 
(editor /at/ participations.org). We also welcome submissions to our new 
‘Conversations’ section that do not fit the traditional article format.

Participations 21.1

*Special issue - Themed Section*

Introduction to Themed Section: Girl Audiences in the ‘Girlscape’

Michele Paule and Sarah Godfrey

i-iv

The Italian ‘Girlscape’: The Teen-Produced Video Essay as a ‘Material 
Thinking’ Audience Research Method

Danielle Hipkins and Romana Andò

1–17

Girl to Girl: Italian Girls and Girlhood Models in Serial Narratives

Stefania Antonioni and Chiara Checcaglini

18–34

‘Takes One to Know One’: The Co-Construction of a Lesbian Narrative 
Space in Taylor Swift’s Text(s)

Manon Berthier

35–58

Finding the Fangirlscape: Understanding ‘Fangirl’ as a Gendered 
Transfandom Category

Ava Bucy

59–80

Virtualised Desire: The Role of Cosplay and Sexual Selfies in Japanese 
Otaku Culture

Moe Yamauchi

81–94

Nymphet to Coquette – “Girl-core” Virality,

Popular Feminism and the ‘Girlscape’ on TikTok

Summer Gamble

95–119

*Articles*

Roots Seekers and Travelling Subjectivities: Being Frisian in 
Aotearoa/New Zealand

Joost de Bruin

120–138

SVoDs Modulating the Knowledge of Viewers about Other Nations: The 
Turkish Quality TV Series Bir Başkadır [Ethos] (TR, 2020) in a ‘German’ 
Group Discussion

Ömer Alkin and Rahime Özgün Kehya

139–156

‘Everything to Everyone?’: Canadian National Identity and the Barenaked 
Ladies

Melissa Beattie

157–173

Spectators in Practice: Board Cinemas and Film Use on GDR Seagoing Vessels

Andy Räder

174–192

‘Stranger than fiction’: How and Why Conspiracy Theorists Decode Fiction 
to Construct their Worldview

Matthias De Bondt, Stef Aupers and Roel Vande Winkel

193–216

*Book Reviews*

Review: James Layton, Bergson and Durational Performance: (Re)Ma(r)king 
Time, Chicago: Intellect, 2022.

Alicia Corts

217–220

Review: Daniel Biltereyst and Ernest Mathijs, The Screen Censorship 
Companion: Critical Explorations in the Control of Film and Screen 
Media, Exeter: University of Exeter Press, 2024.

Kenneth J. Ward

221–224

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