[Commlist] cfp British-Australian Cinema

****Extended Call for Papers****
*‘Genre and Nation: British and Australian cinema, 1960 – now’ Conference*
*5-7 September 2024*
**
*Hybrid Conference: Leeds School of Arts, Leeds Beckett University, UK 
and online *
**
Despite the brutal, colonial origins of Australian settlement, and the 
ongoing consequences for Indigenous people, an enduring connection 
between Britain and Australia remains. As Rolfe (2022) argues, until the 
1960s, Australians incorporated a dual identity as both Australians and 
Britons, and although American influence has grown since then– the 
British/Australian relationship persists and has been widely explored in 
screen media, art, literature, and other creative works.
A fruitful co-production treaty between Britain and Australia has been 
in place since 1990, seeing a diverse range of projects from 
documentary, feature film, and television released. And yet, while 
British cinema has flourished due to a range of distinctive film funding 
options, since the ‘professionalisation’ of the Australian film industry 
and establishment of government administered film funding bodies from 
1970 onwards, the Australian film industry has been widely regarded as 
oscillating between ‘boom or bust’ (Stratton, 1990). The release of /Not 
Quite Hollywood/(2008), a documentary exploring the period of unabated 
production of genre films in Australia during the 1970s-1980s (known as 
‘Ozploitation’ films) exposed Australian genre films to a new 
audience. Despite these differing fortunes, both the Australian and 
British film (and television) industries have struggled to adapt to 
changing models of content production driven by the dominance of 
streaming services. In Australia, the dominance of streaming aggregators 
has led to impending regulation of streaming service to prioritise the 
protection of Australian productions, as a means of connection to 
imagined, shared Australian identity. Similar laws in the UK have 
resulted in an increase in investment from Netflix. While viewers are 
now spoiled for choice, the boom in streaming services has also led to 
the emergence of services catering to specific, niche (genre) tastes.
This conference aims to explore the shared concerns of British and 
Australian screen media through the often-overlooked depth of genre 
film. */While we particularly welcome proposals related to British and 
Australian screen media, other disciplines working on complimentary 
topics are also encouraged to submit abstracts/*.

Topics might include:
-connections between British and Australian films
-British/Australian co-productions
-film funding and industry
-Indigenous cinema
-colonial histories and futures
-significant film anniversaries
-television and national broadcasters (BBC/ABC)
-diversity and representation
-stardom, and celebrity
-British/Australian screen futures

Please submit a 250 word abstract, and 50 word biography, including your 
name, affiliation, and contact email address to: 
(_genreandnationconference /at/ gmail.com) 
<mailto:(genreandnationconference /at/ gmail.com)>_ by 12 June 2024.


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