[Commlist] Sound Stage Screen (vol. 2, issue 1) out now, open-access

we are pleased to announce the open access publication of volume 2, 
issue 1 (Spring 2022) of our online journal Sound Stage Screen 
<https://riviste.unimi.it/index.php/sss>. The new issue features 
articles on musical holograms, neo-realist films soundscape, silent 
movies performance practice, and a reflection on music criticism in the 
digital era.

Sound Stage Screen <https://riviste.unimi.it/index.php/sss> (SSS) is a 
biannual peer-reviewed journal devoted to historical and theoretical 
research into the relations between music, performance, and media. An 
open-access journal, SSS addresses a wide range of phenomena, practices, 
and objects pertaining to sound and music in light of the 
interconnections between performing traditions and media archaeologies. 
We welcome submissions via the journal’s online portal 
<https://riviste.unimi.it/index.php/sss/about/submissions>.

ARTICLES:

Callas and the Hologram: A Live Concert with a Dead Diva 
<https://doi.org/10.54103/sss18310>

JOÃO PEDRO CACHOPO

Folkloric Voices in Neorealist Cinema: The Case of Giuseppe De Santis 
<https://doi.org/10.54103/sss16776>

GIULIANO DANIELI

The Afterlife of a Lost Art. On the Work and Legacy of Silent Film 
Pianist Arthur Kleiner
 <https://doi.org/10.54103/sss17494>
ANNA K. WINDISCH

REFLECTIONS:

Music Criticism in the Age of Digital Media (With Two Contributions by 
Benjamin MiNiMuM/Angèle Cossée, and Peter Uehling) 
<https://doi.org/10.54103/sss18439>

KLAUS GEORG KOCH

REVIEW-ESSAY:

Sound Theory at Grand Theory’s End
Review of Sound Objects, eds. James 
A. Steintrager and Rey Chow (2019)
 <https://doi.org/10.54103/sss18311>
JULIE BETH NAPOLIN

PERFORMANCE REVIEW:

“There’s Something Missing Here…”: Milo Rau, Opera, and the Search for 
the Real (Mozart) <https://doi.org/10.54103/sss18446>

CARLO LANFOSSI 


The Editors-in-Chief

Giorgio Biancorosso, The University of Hong Kong

Emilio Sala, Università degli Studi di Milano

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