Archive for May 2022

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[Commlist] CFP - International Conference on Women and Cinema in Spain, Portugal and Latin America

Wed May 11 10:38:17 GMT 2022




CFP - International Conference on Women and Cinema in Spain, Portugal and Latin America - UC3M (Madrid) - Deadline extended: May 31


International Conference
Women and Cinema in Ibero-America: politics, histories, representations, intersectionality
University Carlos III of Madrid (UC3M)
Getafe Campus, Madrid, Spain
21, 22 & 23 September, 2022

Organised by:
Research Group “Television-cinema: memory, representation and industry” (Tecmerin) [www.tecmerin.es <http://www.tecmerin.es>] UC3M
University Institute of Spanish Cinema UC3M

Deadline: 31 May 2022
contact: (tecmerin /at/ uc3m.es) <mailto:(tecmerin /at/ uc3m.es)>
Complete info and submissions: http://eventos.uc3m.es/go/mujeresycineiberoamerica <http://eventos.uc3m.es/go/mujeresycineiberoamerica>

Confirmed Keynote Speakers:
- Patricia Torres San Martín, Researcher and Professor of Universidad de Guadalajara (México) - Margarita Ledo Andión, Filmmaker and Professor of Universidad de Santiago de Compostela (Spain)

Parallel activities: Focus on the Brazilian filmmaker Helena Solberg in collaboration with Filmoteca Española (Spanish Cinematheque).

*Call for papers*

In recent years, we have witnessed a strengthening and popularisation of the feminist movement that has made a particular impact on Spain, Portugal and Latin America, where effective transnational campaigns have emerged. Framed within a Fourth Wave, these demonstrations give renewed urgency to demands related to violence against women, reproductive rights, or equal representation in all sectors. Also connected to social protests against the neoliberal resurgence, contemporary feminisms embrace intersectionality as a framework for analysing social injustice and alliances with ecological, anti-racist, or decolonial movements and perspetives, among others. Filmmaking, as a cultural, social, and political practice, has not been foreign to this push, as seen in a host of phenomena: the greater participation of women in the film industries, the increase in films dealing with complex and diverse gender experiences, the rise of associations and collective practices, the greater awareness of public institutions aiming to address gender inequalities and the consolidation of films made by women as an academic field of study. This international conference aims to become a point of encounter and reflection between scholars, professionals, and cultural agents interested in analysing the situation and role of women in Ibero-American cinema, as well as the impact of contemporary feminism on film culture and its academic approach, without overlooking its social dimension. The conference is divided into three main areas covering film policies and the logics of production and circulation, representations, narratives and film languages, and theoretical and historiographical perspectives; all of that with special stress on intersectionality as an analytical sensitivity that provides a plural and complex outlook, where gender is examined in relation to other axes of power or inequality. It also aims to delve into the transnational and historical networks in the region and the dynamics of cultural, capital, and human mobility fostered by filmmaking from a gender perspective.

Submissions may include the following topics/research fields:

*Politics, production, circulation*
- Public discourses and policies to promote gender equality in Ibero-American cinema at national, regional, and supranational levels. - Manifestations and impact of feminism (associations, collectives, discourses, agendas) to reshape the film and audiovisual sector. - Studies on the labour market and incorporation of women, from production (executive, creative and technical positions) to circulation (distribution, curatorship, promotion, etc.). - Modes of production favoured by women filmmakers and creative contributions from other professions. - Circulation and reception of films made by women, whether commercial or non-commercial (experimental, documentary, militant, collective, community, etc.).

*Representations*
- Languages, aesthetics, and representations of cinema made by women that challenge dominant gazes and formulate a counter-canon of feminist thought and practice.
- Gender perspectives in the study of genre, authorship, and stardom.
- The themes and motifs of the feminist agenda opened to questions such as environmentalism, racism, anti-capitalism, migration, and decolonial critique. - Intersectional perspectives on film representations (race, ethnicity, age, disability, sexual orientation, social class.)

*Histories*
- Historiographical reviews focusing on women’s contributions to cinema that incorporate intersectionality or transnationality as analytical pillars. - Updates on the theoretical perspectives and analytical categories of feminist film theory.  - Methodological, theoretical, and practical proposals on sources for the study of cinema made by women and the preservation and conservation of these sources and film collections. - Contributions to historiography by film critics and its redefinition through digital platforms. - Contributions of women academics to film history and study of the links between academia, feminist activism, and film practice.

*SUBMISSION FORMATS*
The conference accepts proposals in Spanish, English, or Portuguese until May 31, 2022, in any of the following formats:
- Individual papers: individual presentations lasting up to 20 minutes.
- Pre-constituted panels of three or four papers with a maximum of 20 minutes of speaking time per paper. - Audiovisual essays of up to 15 minutes. In collaboration with Tecmerin. Journal of Audiovisual Essays [http://tecmerin.uc3m.es/en/journal <http://tecmerin.uc3m.es/en/journal>] a monograph will be published on the theme of the conference in which these papers may be included after a peer-review process.

The conference offers the possibility for the papers to form part of a digital publication with an ISBN in the repository of the University Carlos III of Madrid. An editorial committee will select the publications that will finally form part of this volume.

Authors are required to provide their name, institutional affiliation, email address, the title of the paper, an abstract (max. 300 words), and a short bio of the speaker (max. 150 words). In the case of pre-constituted panels, each speaker is asked to submit information on the individual paper, as described above, and the panel title. In all cases, the submission should be made through the following form (registration required: username and password): http://eventos.uc3m.es/go/mujeresycineiberoamerica <http://eventos.uc3m.es/go/mujeresycineiberoamerica>

*REGISTRATION FEE*
All conference participants must pay the registration fee once the acceptance of the proposal has been confirmed. The registration form will be available in June 2022 and up to the conference’s opening.

Early registration (up to July 31, 2022)
- PhDs: 75 €
- Postgraduate students (Master’s and PhD candidates): 30 €

Late registration (from August 1, 2022)
- PhDs: 100 €
- Postgraduate students (Master’s and PhD candidates): 45€

Postgraduate students will be required to prove to be enrolled in a postgraduate program during the year 2021/2022.

*ORGANIZED BY*
- Research Group TECMERIN (Television-Cinema: Memory, Representation and Industry), University Carlos III of Madrid.
- University Institute of Spanish Cinema, University Carlos III of Madrid.

*WITH THE SUPPORT OF*
- The Institute of Women, Ministry of Equality, Spanish Government.
- R+D+i “Cinematic Cartographies of Mobility in the Hispanic Atlantic’ (CSO2017- 85290-P), funded by the State Research Agency, Ministry of Economy and Competitiveness of the Spanish Government and co-financed by the European Regional Development Fund (ERDF) - R+D+i “Film and Television in Spain in the times of the Digital Turn and Globalization (1993-2008): identities and practices of production and consumption” (PID2019-106459GB-I00), funded by the State Research Agency, Ministry of Economy and Competitiveness of the Spanish Government.

*IN COLLABORATION WITH*
- Department of Communication & Media Studies, UC3M
- Master’s Degree in Film and Television, UC3M
- Filmoteca Española
- Tecmerin. Journal of Audiovisual Essays
- MYC Association of Women and Cinema (Mujeres y Cine)

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