[Commlist] CFP: Women and Space in Contemporary Cinema

*CFP: Women and Space in Contemporary Cinema*

*Deadline approaching: 15 June*

Special Issue of Aniki, <http://aim.org.pt/ojs/index.php/revista/index> 
the Portuguese Journal of the Moving Image

Edited by Mariana Liz (Universidade de Lisboa) and Marina Tedesco 
(Universidade Federal Fluminense)


The second half of the 20th century was characterized, in many 
countries, by the emergence of a new relationship between women and 
space. Easier access to the labour market, as well as to higher levels 
of education, were important victories for women, even if these were 
defined by obvious asymmetries in terms of class, race and location. 
Across the world, while fighting for fairer social, workplace and sexual 
rights, women not only abandoned, and occupied in new ways, the domestic 
space; they also began to inhabit, in a more affirmative manner, the 
public space, as well as that of the media.

It wasn’t long before such changes had an impact on film. It is not a 
coincidence that in many films of the 1960s and 1970s we see on screen 
women walking, working or fighting for their survival in the streets of 
different cities. Nature, often used as a metaphor for women, because 
attributed values traditionally associated with the feminine condition, 
such as purity, emotion and irrationality, also became a space for 
contestation. Women simultaneously came to occupy the spaces of 
representation and of production of film. In Brazil, in the 1970s, there 
was, for the first time in history, a growing number of women directors. 
Many of these have not only been able to direct more than one film since 
beginning their careers, but are also still active. In Portugal, three 
decades after Bárbara Virgínia, conventionally known as the country’s 
first woman filmmaker, active in the 1940s, women filmmakers finally 
re-emerged in the 1970s. The growing number of women that have been 
playing important roles in the most diverse areas of the cinematographic 
industry is not, of course, restricted to these two countries.

Today we witness once again vivid debates on the relationship between 
women and cinema. This is a phenomenon that certainly has local 
specificities, but can be considered to be global, as testified by the 
US movements Time’s Up and #MeToo, which dialogue with similar campaigns 
emerging in other national contexts. As such, this special issue aims to 
bring together essays that discuss the multiple ways in which women and 
space can be examined in contemporary film. Hence, we seek pieces that 
address the following, and other, similarly related, topics:

  * Theoretical contributions on women and space in 21st century cinema
  * The spaces occupied by women on- and off screen in 21st century cinema
  * Women and urban space in contemporary film
  * Nature and the feminine in 21st century cinema
  * The archive as a feminine space
  * Film distribution spaces occupied by the cinema directed by women
  * Women and film viewing spaces
  * New approaches to the space occupied by women in film history and
    film criticism
  * The different scales of ‘women’s cinema’: the feminine and the
    local, national and global spaces of contemporary film

*The deadline for submitting completed papers is June 15, 2019. 
A**rticles submitted to Aniki will be the object of a double-blind peer 
review process*. Authors must refer to Section Policies 
<http://aim.org.pt/ojs/index.php/revista/about/editorialPolicies#sectionPolicies>, 
Author Guidelines 
<http://aim.org.pt/ojs/index.php/revista/about/submissions#authorGuidelines> 
and Peer Review Process 
<http://aim.org.pt/ojs/index.php/revista/about/editorialPolicies#peerReviewProcess>, 
all available at the journal website.

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