[ecrea] JICMS CFP international conference Rome

*CALL FOR PAPERS*

*Global Intersections and Artistic Interconnections:
Italian Cinema and Media across Times and Spaces*

*/Journal of Italian Cinema and Media Studies
/**Second International Conference*

*The American University of Rome
14-15 June 2019*

*Keynote Speaker*

*Professor Milly Buonanno, La Sapienza University*

**

*Intersections of local and global: transnational influences on the 
Italian road to serial TV storytelling*

Since its inception in the mid-1950s, Italian domestic TV broadcasting 
and storytelling has established a close dialogue with national culture, 
identity and heritage. It would however be impossible to comprehensively 
account for the history and the peculiarities of Italian TV drama 
without bringing into the picture the ‘transnational factor’. Television 
storytelling in Italy has developed within a porous cultural space open 
to the influence of foreign art forms and creative media productions. 
National and non-national or transnational elements have met, co-existed 
and interacted frequently, albeit differently, within the television 
environment, helping to shape, maintain or modify the ‘Italian-ness’ of 
home-grown television fiction. This holds particularly true for 
narrative serialization – long considered a lowbrow form of popular 
storytellingto be resisted and rejected. Based on these premises, the 
paper aims to address the influence of the ‘transnational factor’ on key 
moments – and key narratives (/La piovra/, 1980s;/Un posto al sole/, 
1990s;/Gomorra: la serie/,//2000s) – along the difficult road to 
serialization traveled by Italian TV drama.

**

*Plenary Addresses*

**

*Dr. Piera Detassis - Accademia del Cinema Italiano Premi David di 
Donatello,/Ciak Magazine/*

*Dr. Felice Laudadio - Fondazione Centro Sperimentale di Cinematografia *

*Dr. Roberto Stabile - International Department ANICA*

*Prof. Mario Morcellini -La Sapienza University**,**Autorità per le 
Garanzie nelle Comunicazioni*

*Prof. Giorgio Bertellini - University of Michigan*

In line with the goal of the /Journal of Italian Cinema and Media 
Studies/, the Conference aims at responding to the emerging critical 
interdisciplinary approaches to Italian cinema and media in 
international contexts. This means to engage across disciplines, explore 
new ways to interpret artistic intersectionality and transmediality in 
global productions, look outside the established canon of Anglophone 
scholarship, and shape new paradigms for film and media studies.

One of the most significant traits of JICMS is its interest in diverse 
voices in academia in order to pave the way for transnational 
scholarship, and shift the axis of Italian cinema and media studies to 
reflect the multicultural and multilingual identities across the world. 
The championing of this diversity is evident in the range of articles, 
interviews, film and book reviews, film festival and conference reports 
exploring the points of junction between Italian cinema and Asian, Latin 
American, North American and European cinemas.

Another important trait of JICMS is its media component. The profound 
transformation undergone by the rapidly expanding media environment 
under the impact of digital technology, has led scholars in the field of 
media studies to elaborate new theoretical paradigms and methodological 
approaches to account for the complexities of a changing landscapeof 
convergence and hybridization. The boundaries between cinema and media 
as art forms and fields of inquiry are increasingly hybridized too. 
Taking into account this evolving scenario, this Conference/intends to 
provide an international arena for critical engagement /with a wide 
range of issues related to the current Italian media environment.

Just like JICMS, the Conference wants to reach out to academics working 
in particular niches, and give their work a platform. Italian cinema and 
media turn to other countries’ productions for inspiration and/vice 
versa/. The lure of Italian cinema’s legends and the interest in 
revisiting its genealogy create bridges across global artistic languages 
in the effort to preserve harmonies and reconcile tensions. In moving 
away from mainstream pathways, JICMS and the Conference also intend to 
get Italian cinema and media studies out of their canonical silo,engage 
with diverse academic communities, build new conceptual frameworks, 
andpromote research beyond Western and Eurocentric bases to foster a 
more globally-focused and representative corpus of scholarship.

With this Conference, JICMS intends to bring together scholars, 
authorities from theAccademia del Cinema Italiano Premi David di 
Donatello,the Fondazione Centro Sperimentale di 
Cinematografia,ANICA,AGCOM,filmmakers, film and media professionals, 
journalists, film festival organizers, and students to facilitate a 
dialogue across critical approaches and creative practices.

With this CFP, the conference organizers invite proposals for single 
papers, pre-constituted panels and roundtables that would identify 
intersections and artistic interconnections**shaping contemporary 
Italian cinema and media productions in a global world.

Possible topics include, but are not limited to:


- The contemporaneity of Italian auteurs

- Environmentalism and Italian film

- Rhizomatic approaches to Italian film history

- Transnationality in Italian film

- Representations and constructions of identities from the perspectives 
of gender, ethnicity and nationalism

- Migrant and refugee filmmaking

- Migrant cinema: diaspora(s) and transnational mobilities, and the role 
of multilingualism and translation in coproductions

- Mobilities within and between diasporas

- Glocal Italy: production and representation of localism, regionalism 
and globalisation

- Non actors in Italian cinema

- The new Italian documentary

- Italian sound studies

- Future directions for Italian film studies

- LGBTQ cinema

- Fellini for the New Millennium

- Productions and series in the field of literature (Ferrante’s cycle, 
Ammaniti’s first series, a sequel of/The Young Pope/)

- Historical and contemporary approaches to film remakes in Italy

- Regional film commissions

- Foreign productions in Italy

- Italian productions abroad

- Italian remakes of non-Italian films

- Foreign remakes of Italian films

- Unmade Italian silent films

- Abandoned or halted studio projects

- Abandoned Italian adaptations and screenplays

- Production, distribution and Italian film festivals

- (New) avant-garde, experimental and independent Italian film and 
digital video


- Italian cinematic intertextuality

- Italian digital cinema

- Virtual reality in Italian cinema

- Post-cinema

- Animation

- New perspectives on the history/archaeology of Italian cinema and 
other media

- The aesthetics of Italian cinema and other media technologies

- Infotainment: newspapers, magazines, radio and television news, all 
news channels, online information outlets, social media

- Emotainment: popular press, reality television, factual programming 
and talent shows, branding and advertising, online videos and spaces

- Politainment: electoral campaigns, spin doctoring, leadership 
building, political and public communication practices, talk shows, 
online engagement

- Edutainment: Radio and television shows, podcasts

- Media products and transmedia/transnational practices

- Hybridity and media borders

- Television and web seriality

- Electronicgames across platforms and genres as well as ludic and 
serious online environments

- Old, new and residual media

Please send an abstract of 250 words plus a short bio of 100 words for 
single papers,or 350 words for panels (including the aims of the panel 
and summaries of each contribution specifying the names of filmmakers, 
artists, films, media etc.) followed by individual titles, panelists’ 
bios, current academic affiliation, and emails for pre-constituted 
panels with 3 speakers, or roundtables in Italian or in English in a 
word.doc format,*no pdf*. We invite proposals for 20-minute 
presentations(inclusive of film clips). We welcome presentations using 
both conventional tools and video-essay commentaries.

The languages of the conference are English and Italian.

Abstracts for consideration should be submitted to the conference 
organizer Flavia Laviosa (atflaviosa /at/ wellesley.edu) 
<mailto:(flaviosa /at/ wellesley.edu)>

*The deadline for the submission of abstracts is 30 September2018*
Notification of acceptance of abstracts will be sent out to authors by 
31 October 2018

Conference registration fee includes: 2 breakfasts, 2 lunches and a 
closing reception.

€110 before 15 March 2019 (presenters’ deadline for being included in 
the conference program)

€130 after 15 March 2019

€80 student

The registration fee will be paid to AUR. The registration website will 
be available in January 2019.

Participants will receive a complimentary copy of JICMS, offered by 
Intellect.

Selected papers will be considered for a special issue of JICMS.

The conference is organized by Flavia Laviosa (Wellesley College) in 
collaboration with Catherine Ramsey-Portolano (The American University 
of Rome), and is co-sponsored by AUR, Wellesley College and Intellect.

*Post-conference tour To the Garden of Ninfa and Sermoneta: Sunday 16 
June 2019***

Day-trip to the Garden of Ninfa, one of the most beautiful gardens in 
the world. Weleave from Piazza della Repubblica, in front of 
RepubblicaMetro Station at 8:30am to arrive at Ninfa at 10:00am. After 
the guided tourof the Gardenwetransferto the medieval town of Sermoneta. 
There we taste local products as cold cuts, cheeses, bruschette and 
olives.We also discover the ancient recipe of ‘Peschette al Tartufo’, 
little peaches immersed in truffle oil.At 1:30pm wehave a guided tour of 
Sermoneta including a visit ofthe Cathedral ofSanta MariaAssunta andthe 
Caetani Castle, built for the Annibaldi family in the early 
thirteenth century. The arrival in Rome is scheduled for 5:30pm. The 
guided visits are in Italian and all transfers are by private bus.

The €100 fee per person includes all services and willbe paid to the 
travel agent.For more information,pleasecontact:Eugenio 
Marchettiat:(info /at/ cultouritaly.com) <mailto:(info /at/ cultouritaly.com)>or call 
(+39) 3341004351






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