[Previous message][Next message][Back to index]
[ecrea] Zombies, Migrants, and Queers - Camilla Fojas
Fri Jul 21 17:50:55 GMT 2017
A new publication from University of Illinois Press
Free postage to UK customers
http://www.combinedacademic.co.uk/zombies-migrants-and-queers
**
*Zombies, Migrants, and Queers***
*Race and Crisis Capitalism in Pop Culture***
/Camilla Fojas///
"Fojas has done it again. With her trademark elegance of prose and sharp
cutting cultural critique she slices through those thick layers of
capitalist ideology that wrap all variety of popular cultural
entertainment. From blue-ice meth to the zombie invasions, Fojas scrapes
to the bone just how pop culture speaks to and against very real,
everyday material concerns of twenty-first century trans-Pacific
borderland denizens. Extraordinary! Exquisite! Edifying!"—Frederick Luis
Aldama, author of /The Cinema of Robert Rodriguez/
"The range of this book is astonishing and Fojas does justice to complex
theoretical concepts by showing how they help us understand the primary
texts while not dumbing down the theory."—David Schmid, author of
/Natural Born Celebrities: Serial Killers in American Culture/
"An exciting book, quite probably Fojas's most important work to date.
It is timely, edgy, well-researched, impassioned. In it, Fojas analyzes
journalism, memoirs, literature, photography, art, film, TV, music,
economics, history, all in relation to 'popular culture.' . . . She
adroitly draws on Greek myths, Freud, Lacan, Marx, Deleuze and Guattari,
Lyotard, Barthes, Michelle Alexander, Angela Davis, Foucault, and others
in her contemplation of specific artistic and mass media
exemplars."—Christine Holmlund, editor of /The Ultimate Stallone Reader:
Sylvester Stallone as Star, Icon, Auteur/
The alarm and anxiety unleashed by the Great Recession found fascinating
expression across popular culture. Harried survivors negotiated societal
collapse in The Walking Dead. Middle-class whites crossed the literal
and metaphorical Mexican border on Breaking Bad or coped with a lack of
freedom among the marginalized on Orange Is the New Black. Camilla Fojas
uses representations of people of color, the incarcerated, and
trans/queers—vulnerable populations all—to work through the
contradictions created by the economic crisis and its freefalling
aftermath. Television, film, advertising, and media coverage of the
crisis created a distinct kind of story about capitalism and the
violence that supports it. Fojas shows how these pop culture moments
reshaped social dynamics and people's economic sensibilities and
connects the ways pop culture reflected economic devastation. She also
examines how these artifacts illuminated parts of society usually kept
off-screen or on the margins even as they defaulted to stories of white
protagonists.
*Camilla Fojas*teaches in media studies and American studies at the
University of Virginia. Her books include /Border Bandits: Hollywood on
the Southern Frontier/ and /Islands of Empire: Pop Culture and U.S. Power/.
University of Illinois Press | February 2017| 184pp | 9780252082405 | PB
| £20.99*
20% discount with this code: SCL17ZMAQ**
*Price subject to change.
---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please
use it responsibly and wisely.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at
http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ vub.ac.be)
URL: http://nicocarpentier.net
---------------
[Previous message][Next message][Back to index]