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[Commlist] CFP: Paul Verhoeven@85
Mon Jan 15 16:04:17 GMT 2024
*Paul Verhoeven//@85: Critical Approaches*
Paul Verhoeven//(b. 1938) has left an indelible mark on popular culture.
His films marry a European arthouse sensibility with the US blockbuster
but in a wickedly satirical way. Yet this does not mean his films are
not open to criticism.
His American dystopic trilogy – /RoboCop /(1987), /Total Recall/ (1990)
and /Starship Troopers /(1997) – provided dark visions of futuristic
metropoles that continue to resonate to this day, touching on
capitalism, robotics, biopolitics, posthumanism, urban planning,
artificial intelligence, transhumanism and climate change, while
female-led dramas, such as /Basic Instinct /(1992), /Showgirls /(1995),
/Black Book /(2006), /Elle /(2016) and /Benedetta /(2021), remain
controversial for their overt eroticism, sexual violence and
representation of lesbianism.
To critically explore the origins and legacies of Verhoeven’s body of
work, this edited collection proposes to bring together scholars from
diverse disciplinary backgrounds to explore Paul Verhoeven’s output,
debate its legacy and consider its position within visual culture
including specialists from fields as diverse as literary and
cinematographic studies; the history of art, design, fashion and
architecture; musicology; philosophy; political sciences; computer
science and robotics; urban and ecological studies; and feminist, queer
and sexuality studies.
We welcome contributions from any perspective such as (but not limited
to) the following:
Paul Verhoeven as auteur: origins, influences, production, aesthetics,
publicity, reception, afterlife, sequels and director’s cuts
Paul Verhoeven and biopolitics, posthumanism, urban planning and climate
change
Paul Verhoeven and capitalism, neoliberalism, post-industrialism and the
rise of multinational corporations
Paul Verhoeven and gender
Paul Verhoeven and memory
Paul Verhoeven and psychoanalysis
Paul Verhoeven and race, ethnicity and Otherness
Paul Verhoeven and reception: audiences, fandom and ‘cult’
Paul Verhoeven and robotics, artificial intelligence, cybernetic
organisms, the transhuman and the post-human
Paul Verhoeven and science fiction
Paul Verhoeven and sexuality
Paul Verhoeven and stardom
Paul Verhoeven and tech noir, retrofuturism, future noir, and cyberpunk.
Please send a short abstract and biographical paragraph (no more than
400 words) in one document by 1 March 2024.
For further information, please contact the editors Nathan Abrams and
Elizabeth Miller ((PaulVerhoevenConference /at/ gmail.com)
<mailto:(PaulVerhoevenConference /at/ gmail.com)>).
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