Archive for September 2024

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[Commlist] New book: Arrival - A study of Denis Villeneuve’s genre-transcendent film

Sun Sep 15 22:00:15 GMT 2024




Roche, David. /Arrival/. University of Texas Press, 2024.
ISBN 9781477330159
https://utpress.utexas.edu/9781477330159/


A study of Denis Villeneuve’s genre-transcendent film.

In Denis Villeneuve’s /Arrival/ (2016), scientists must decipher the language of and peacefully communicate with aliens who have landed on Earth before the world’s military attacks. In this first book-length study of the film, scholar David Roche argues that it is one of the most important films of this century, and the most brilliant science fiction film since /Blade Runner/. Roche posits /Arrival/ as a blockbuster with artistic ambitions—an argument supported by the film’s several Academy Award nominations—and looks closely at how the film engages with theoretical questions posed by contemporary film studies and philosophy alike. Each section explores a central aspect of the film: its status as an auteur adaptation; its relation to the science fiction genre; its themes of communication on narrative and meta-narrative levels; its aesthetics of time and space; and the political and ethical questions it raises. Ultimately, Roche declares /Arrival/ a unique, multifaceted experience in the world of hard science fiction films, placing it in context with works like /2001: A Space Odyssey/, /Close Encounters of the Third Kind/, and /Contact/ while also examining how it bridges the gap between genre and art house cinema.


David Roche’s superb book approaches /Arrival/ from a remarkable number of analytical angles, deftly teasing out the film’s layers of meaning using linguistics, cultural theory, moral philosophy, cognitive psychology, and close formal analysis. This is a significant contribution to science fiction film studies that will illuminate your rewatches of a great film. ~Bradley Schauer, author of Escape Velocity: American Science Fiction Film, 1950–1982


  * Introduction
  * 1. /Arrival/ as Auteur Film Adaptation
  * 2. /Arrival/ as Hard Soft Science Fiction
  * 3. /Arrival/ as a Reflection on/of Communication
  * 4. /Arrival/ as an Experience of Time
  * 5. /Arrival/ as an Experience of Space
  * 6. /Arrival/ as a Political and Ethical Experience
  * Conclusion
  * Acknowledgments
  * Notes
  * Filmography
  * Bibliography
  * Index

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